Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White Decanter
Red Or White

Red Or White Decanter

£152.00 Sale Save
Write a review

Item is in stock Only 0 left in stock Item is out of stock Item is unavailable

Black Friday offer 20% OFF

Adding to Cart Added to Cart

Design by Ron Arad

Taken from the collection designed by Ron Arad and nominated for the 2017 German Design Award, this NUDE Red Or White decanter is part glassware, part sculpture. Crafted from lead-free crystal, this piece features the series’ signature geometric volumes and the perfectly imperfect shape. Also available in the same range are wine and water glasses, as well as a jug.

Capacity: 2100 cc
Height: 333 mm
Diameter: 127 mm
Material: Lead-free crystal

The mastery and craftsmanship of handmade glass is a signature of NUDE.

NUDE prides itself in its artisanal approach to glassware, specializing in handmade, pure crystalline glass, be the pieces blown or press-blown. With their Master blowers, NUDE continues to hand
make much of the world’s most acclaimed glassware.

We recommend washing this product by hand using a soft sponge, brush or by hand.

Please avoid using the scourer side of the sponge as it will create scratching on the surface of the glass.

After hand washing, let the product dry. Finish cleaning by drying and polishing the product using a soft cloth, preferably microfiber.

INTRODUCING

Ron Arad

Architect and industrial designer Ron Arad was born in Israel but moved to London, where his studio is still located, to study at the AA – Architectural Association from 1974 to 1979. The influence of Dadaism on Arad’s early work is visible in his Rover chair, which resembles a ready-made art object and was intended as a critique of the art world. After more than 30 years, Arad’s work remains diverse, irreverent and sculptural. Exhibited at world-class institutions like the Centre Pompidou in Paris and New York’s Museum of Modern Art, his bold pieces always have a powerful clarity of form and reconsider accepted conventions about shape and function, eschewing embellishment or styling.