Red Or White Set of 2 Wine Glasses
Red Or White Set of 2 Wine Glasses
Red Or White Set of 2 Wine Glasses
Red Or White Set of 2 Wine Glasses
Red Or White Set of 2 Wine Glasses
Red Or White Set of 2 Wine Glasses
Red Or White Set of 2 Wine Glasses
Red Or White Set of 2 Wine Glasses
Red Or White Set of 2 Wine Glasses
Red Or White Set of 2 Wine Glasses
Red Or White

Red Or White Set of 2 Wine Glasses

€174,00 Sale Save

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Design by Ron Arad

Flip your red wine glass, and here it is: your white wine glass at the ready. The aptly named, double-sided NUDE Red Or White set by Ron Arad demonstrates both functionality and radical boldness. Crafted from lead-free crystal, each piece rejects a single cup for the opulence of two. A matching decanter, a water jug and glasses are also available.

  • 450 cc / 85 mm / 232 mm
  • Handmade
  • Lead-free crystal

Capacity: 450 cc
Height: 232 mm
Diameter: 85 mm
Material: Lead-free crystal

The mastery and craftsmanship of handmade glass is a signature of NUDE.

NUDE prides itself in its artisanal approach to glassware, specializing in handmade, pure crystalline glass, be the pieces blown or press-blown. With their Master blowers, NUDE continues to hand
make much of the world’s most acclaimed glassware.

We recommend washing this product by hand using a soft sponge, brush or by hand.

Please avoid using the scourer side of the sponge as it will create scratching on the surface of the glass.

After hand washing let the product dry. Finish cleaning by drying and polishing the product using a soft cloth, preferably micro fiber.

Introducing

Ron Arad

Architect and industrial designer Ron Arad was born in Israel but moved to London, where his studio is still located, to study at the AA – Architectural Association from 1974 to 1979. The influence of Dadaism on Arad’s early work is visible in his Rover chair, which resembles a ready-made art object and was intended as a critique of the art world. After more than 30 years, Arad’s work remains diverse, irreverent and sculptural. Exhibited at world-class institutions like the Centre Pompidou in Paris and New York’s Museum of Modern Art, his bold pieces always have a powerful clarity of form and reconsider accepted conventions about shape and function, eschewing embellishment or styling.