Red Or White
Set of 2 Water Glasses
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Design by Ron Arad
A modern design piece, nominated for the 2017 German Design Award, the NUDE Red Or White set of water glasses is recognisable by its architectural aesthetic. Crafted from lead-free crystal, the statement silhouette conceived by Ron Arad recalls the collection’s signature wine glasses comprising two cups — one at either end.
- 450 cc / 75 mm / 156 mm
- Lead-free crystal
Standard delivery is free on all orders within Europe over € 100,00, otherwise, delivery is €10,00.
Norway and Switzerland have free delivery on all orders over € 150,00, otherwise, delivery costs of € 15,00. We ship to Norway and Switzerland custom / duties included. You will not face any additional cost upon arrival of your order.
Once your order has shipped, it usually takes 2-3 days for Italy and 3-5 days for rest of Europe. If you have not received your products, feel free to contact us through our customer service.
You can return your product up to 14 days after receiving your order. Please make sure the product is in original package, not used nor damaged.
In case of a faulty product, reach out to us through our customer service. Keep your order number and pictures of the faulty product at hand for a fast service.
The mastery and craftsmanship of handmade glass is a signature of NUDE.
NUDE prides itself in its artisanal approach to glassware, specialising in handmade, pure crystalline glass, be the pieces blown, pressed, or press-blown. With 350 Master blowers, NUDE continues to handmake much of the world’s most acclaimed glassware.
Architect and industrial designer Ron Arad was born in Israel but moved to London, where his studio is still located, to study at the AA – Architectural Association from 1974 to 1979. The influence of Dadaism on Arad’s early work is visible in his Rover chair, which resembles a ready-made art object and was intended as a critique of the art world. After more than 30 years, Arad’s work remains diverse, irreverent and sculptural. Exhibited at world-class institutions like the Centre Pompidou in Paris and New York’s Museum of Modern Art, his bold pieces always have a powerful clarity of form and reconsider accepted conventions about shape and function, eschewing embellishment or styling.