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Design by Tamer Nakışçı
The NUDE Mist collection by Tamer Nakisçi combines the traditional glassmaking methods with a contemporary aesthetic. Cut from lead-free crystal with a corrugated finish, this short vase holds an impressive texture and a simple form, redirecting the eye to the petals.
- 205 mm / 110 mm / 290 mm
- Lead-free crystal
- Ripple effect
- Due to handmade craft, color may vary slightly
Standard delivery is free on all orders within Europe over € 100,00, otherwise, delivery is €10,00.
Norway and Switzerland have free delivery on all orders over € 150,00, otherwise, delivery costs of € 15,00. We ship to Norway and Switzerland custom / duties included. You will not face any additional cost upon arrival of your order.
Once your order has shipped, it usually takes 2-3 days for Italy and 3-5 days for rest of Europe. If you have not received your products, feel free to contact us through our customer service.
You can return your product up to 14 days after receiving your order. Please make sure the product is in original package, not used nor damaged.
In case of a faulty product, reach out to us through our customer service. Keep your order number and pictures of the faulty product at hand for a fast service.
The mastery and craftsmanship of handmade glass is a signature of NUDE.
NUDE prides itself in its artisanal approach to glassware, specialising in handmade, pure crystalline glass, be the pieces blown, pressed, or press-blown. With 350 Master blowers, NUDE continues to handmake much of the world’s most acclaimed glassware.
Tamer Nakışçı, who currently lives and works between Istanbul and London, describes himself as an interdisciplinary designer, whose ultimate objective is to bring new perspectives to the world of design. His belief is that even a designed object should be open to interpretation, created so each individual user can engage with it in their own way. Tamer studied industrial design at Mimar Sinan University of Fine Arts in Istanbul and was invited during that time to join the prestigious Fiat Advanced Design Concept Lab in Milan. It was there that he learned about the importance of emotion and narrative in design. But it was regular boyhood visits to his father’s carpentry workshop that fired his initial enthusiasm for making. He devised a highly successful interactive installation at London’s Royal Academy, took part in an exhibition curated by Wallpaper magazine at the Salone del Mobile in Milan, participated in conversations around Istanbul’s Design Biennale, featured in Dwell magazine as a rising star.