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Design by Pentagon Design
Made from clear crystalline glass, this small NUDE Lily bowl is a celebration of simplicity, minimalist lines and expert craftsmanship. It can be used alone or combined with other pieces from the range — each typified by a graceful shape which recalls their namesake flower. All elements of the collection are designed to neatly nest within one another to occupy minimal space with maximum impact.
- 3500 cc / 208 mm / 155 mm
- Lead-free crystal
Standard delivery is free on all orders within Europe over € 100,00, otherwise, delivery is €10,00.
Norway and Switzerland have free delivery on all orders over € 150,00, otherwise, delivery costs of € 15,00. We ship to Norway and Switzerland custom / duties included. You will not face any additional cost upon arrival of your order.
Once your order has shipped, it usually takes 2-3 days for Italy and 3-5 days for rest of Europe. If you have not received your products, feel free to contact us through our customer service.
You can return your product up to 14 days after receiving your order. Please make sure the product is in original package, not used nor damaged.
In case of a faulty product, reach out to us through our customer service. Keep your order number and pictures of the faulty product at hand for a fast service.
The mastery and craftsmanship of handmade glass is a signature of NUDE.
NUDE prides itself in its artisanal approach to glassware, specialising in handmade, pure crystalline glass, be the pieces blown, pressed, or press-blown. With 350 Master blowers, NUDE continues to handmake much of the world’s most acclaimed glassware.
Arni Aromaa and Sauli Suomela established their agency, Pentagon Design, in 1996 – even though they were still studying for their MA in Industrial Design at Helsinki’s University of Art and Design at the time. Now they run a studio of 15, including industrial, graphic and interior designers, engineers, and economists. Their projects range from packaging for a Finnish confectionery company to the interior of a new library. Their design education, which followed the Bauhaus ideology, has left them with a preference for restraint and rigour, while coming from Finland means they have always thought of glass as a primary material. “The Finnish glass heritage is so strong,” they say. “In the same way that every interior architect has to design at least one chair in their lifetime, every Finnish designer has to work with glass.”